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Rose, 20, lives in Camargue with her brother Vincent, her elder, and her mechanic father who has never recovered from the departure of their mother when they were children.

A pusher receives a visit from a dissatisfied customer in the middle of the night.

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An old-fashioned notary must save his dilapidated castle and prevent his daughter from marrying a pretentious golden boy. The fortune promised by a dying countess to a young bohemian artist could solve all his problems. Provided that the future heir becomes a good Catholic and falls in love with the pretty fiancée.

Anna Ronquillo (29), a French-Moroccan émigré, is caught working illegally in a Cape Town restaurant. She has 48 hours to find a husband to avoid having to leave the country.

At the beginning of the 21st century, more than half of the human race died and civilization retreated due to the global flood called " Tempest ". Around that time, the existence of "vampires" was confirmed along with humans. However, not everyone can become a vampire, and those who inherit the blood of Faust, the progenitor of vampires, do not become vampires, and some even become beasts and die. Good vampires are given new names, and the rest are collectively called "rezas." On the other hand, the vampires begin their journey in search of why they were born, in search of the meaning behind it, and in search of the "mother" who is called the vampire's hope.

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This 1991 production by the Lyon National Opera presents a welcome opportunity to revel in a uniquely Gallic confection rarely seen outside France. It's also a chance to enjoy one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the best tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's help to get them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly good voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the supporting cast. It's a long piece, but hugely enjoyable.